Psikhologicheskie Issledovaniya • ISSN 2075-7999
peer-reviewed • open access journal
      

 

Shchetkina-Rosher N. Debussy's and Scryabin's musical orientalism. From the citation to the transformation language

Full text in Russian: Щеткина-Роше Н. Музыкальный ориентализм Скрябина и Дебюсси. От цитирования к трансформации языка
Michel de Montaigne University, Bordeaux, France

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The article devoted to the analysis of the inner form of Scriabin’s musical language, conducted a comparison of the musical language of Scriabin and Debussy, primarily on the basis of the analysis of the origins and nature of their musical orientalism, showing the specificity of cultural and krosscultural impact on the musical language of the Russian and French composers.

Keywords: musical language, language transformation, orientalism, cultural field

 

Funding
The study was supported by the Russian Foundation for Humanities (Russia) and the CNRS (Centre National de la Recherche Scientifique, France), project 09-06-95321а/fr.


References
Cyrillic letters are transliterated according to BSI standards. The titles are given in author’s translation [in square brackets].

Bandura A.I
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Blavatsky H.P. The secret doctrine: The Synthesis of Science, Religion, and Philosophy. 3rd rev. ed. London.: Theosophical Publishing Society, 1895. Vol. 1.

Huizinga J. Homo ludens. Chelovek igrayushchii [Homo ludens. Person playing]. M.: Progress: Progress-Akademiya, 1992. 464 s. [in Russian]

Kelkel M. Alexandre Scriabine, sa vie, l’ésotérisme et le langage musical dans son œuvre. Paris: Honoré Champion, 1978. Cité dans le Dictionnaire de la musique de Denis Arnold Laffont, Paris, 1988. Vol. 1.

Levi-Strauss C. L’Homme nu: Finale. Paris: Plon, 1971. 688 p.

Losev A.F. Muzyka kak predmet logiki [Music as a subject of logic]. M., 1927 [in Russian]

Mueller R. Javanese Influence on Debussy's “Fantaisie” and beyond // 19th-Century Music X/2. 1986. Vol. 10, N 2. P. 157–186.

Schloezer B., de. Alexandre Scriabine / trad. du russe par M. Minoustchine; introd. de M.Scriabine. Paris: Librairie des Cinq Continents, 1975.

Tiersot J. Musique pittoresques. Promenades musicales à l'Exposition de 1889. Paris: Fischbacher, 1889.

Vanechkina I.L., Galeev B.M. Kontseptsiya sinteza iskusstv A.N.Scriabina [A.N.Scriabin's synthesis arts conception] // Materialy tret'ei konferentsii “Svet i muzyka”. Kazan: KAI, 1975. S. 24–30. [in Russian]

Accepted  17 January 2009. Date of publication: 17 June 2009.

About author

Shchetkina-Rosher, Nadezhda. Ph.D., Professor, Department of Slavic Studies, Michel de Montaigne Bordeaux 3 University, Bordeaux, France. Postal address: Université Michel de Montaigne Bordeaux 3, Domaine universitaire, 33607 Pessac cedex, France.
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APA Style
Shchetkina-Rosher, N. (2009). Debussy's and Scryabin's musical orientalism. From the citation to the transformation language. Psikhologicheskie Issledovaniya, 3(5). Retrieved from http://psystudy.ru. [in Russian, abstr. in English].

Russian State Standard GOST P 7.0.5-2008

Shchetkina-Rosher N. Debussy's and Scryabin's musical orientalism. From the citation to the transformation language [Electronic resource] // Psikhologicheskie Issledovaniya. 2009. N 3(5). URL: http://psystudy.ru (date of access: dd.mm.yyyy). [in Russian, abstr. in English]

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